Articles of Interest

Wednesday, March 16, 2005

Intégrent and TACODA Partner

iMediaConnection: Intégrent and TACODA Partner
Intégrent and TACODA Partner
Tuesday, March 15, 2005
By Roger Park, Associate Editor

Behavioral targeting company TACODA has selected Intégrent to sell brand advertising and represent TACODA's online ad network to Midwest clients and agencies.

"By partnering with Intégrent, it gives us a fully capable and experienced team of sales professionals to help generate immediate revenue for Audience Networks and its participating websites that will deliver massive, quality reach in premium environments that's easily bought by advertisers," says Dave Morgan, chief executive officer, TACODA. 

"The new partnership gives Integrent's clients the opportunity to reach mass consumers with quality content. Working with TACODA ensures how to use behavioral targeting on premium sites," says Shawn Riegsecker, president, Intégrent.

Intégrent's media services partners include several online newspapers entities such as, The Chicago Sun Times and Dallas News.

"The majority of the online publishers and sites we work with have implemented TACODA’s technology and this new audience-centric ad network allows us to help brand advertisers with their online strategies, and bring additional clients and greater revenue to our current publishing affiliates," adds Riegsecker.


Advertising: Pepsi One Goes on a Television-Free, Celebrity-Free Commercial Diet

The New York Times > Business > Media & Advertising > Advertising: Pepsi One Goes on a Television-Free, Celebrity-Free Commercial Diet
Pepsi One Goes on a Television-Free, Celebrity-Free Commercial Diet
BIG campaign to reintroduce Pepsi One diet cola will be different in one big way from the campaigns that came before, as well as from typical campaigns for Pepsi-Cola soft drinks: no television commercials.

The Pepsi-Cola Company, long famous for elaborate, expensive spots stuffed with celebrities, music and special effects, is forgoing them for the multimillion-dollar Pepsi One campaign, now getting under way.

The TV commercials that helped introduce Pepsi One, which ran from 1998 to 2001 during high-profile programs like the Super Bowl and featured stars like Cuba Gooding Jr. and Kim Cattrall, are being replaced. In their stead are offbeat alternatives that include promotional events, online films, posters put up on construction sites, even trading cards.

"It's a change to have a campaign that lives outside TV," said Katie Lacey, vice president for carbonated beverages at Pepsi-Cola's North American division in Purchase, N.Y., part of PepsiCo.

"The opportunity to use different media to create more meaning, more connection, with the consumer is something we'll be looking to do more and more," Ms. Lacey added.

The goal of the humorous campaign is to reintroduce Pepsi One in a reformulated version using the sweetener Splenda, and broaden its appeal to include younger consumers and men, who often shun diet drinks. The campaign, by the Playa del Rey, Calif., office of TBWA/Chiat/Day, a division of TBWA Worldwide, is part of a blitz by Pepsi-Cola and the other soft drink giants to capitalize on growing demand for reduced-calorie sodas, which are far outpacing sales gains for their sugared counterparts.

The media strategy of forsaking television, so unconventional for Pepsi-Cola, is emblematic of efforts by major marketers to seek nontraditional methods of reaching increasingly elusive audiences. These approaches are often used to appeal to young consumers, who are as likely to be playing video games, sitting at PC's or sending text messages on their cellphones as they are to be staring at TV sets.

The campaign is "a smart thing for Pepsi to do," especially in trying to "capture more male consumers, because the big diet colas, Diet Pepsi and Diet Coke, definitely skew somewhat female," said John D. Sicher, editor and publisher of Beverage Digest, an industry newsletter based in Bedford Hills, N.Y.

Pepsi One sales peaked in 1999, a year after its introduction, at 83.7 million cases, according to Beverage Digest data, and have fallen steadily since, to 24.3 million cases in 2003 and 19.2 million last year. At the same time, Mr. Sicher said, the market share for diet sodas as a percentage of all carbonated soft drinks has been rising, to 29.1 percent in 2004 from 27.4 percent in 2003.

A desire to take advantage of the increasing interest in nonsugared sodas among younger, and younger male, consumers is behind the push to revive Pepsi One.

"One of the biggest issues males in their 20's have in coming into the category is the imagery of diet soft drinks and the word 'diet,' " Ms. Lacey said, "but with Pepsi One, it has never been there."

"And a different approach to the marketing should overcome the imagery resistance."

So "rather than launching a 30-second spot on the Super Bowl," Ms. Lacey said, there are elements like a Web site dedicated to Pepsi One (, separate from the Pepsi-Cola Web site (; oversized billboards; trading cards, which appear in magazines; print ads, in publications atypical for Pepsi like Blender, Details, Giant, Stuff and Sync; and promotional events that will be planned to resemble art shows. The Tequila division of TBWA Worldwide is handling the interactive elements of the campaign.

The campaign features oddball characters created by Geoff McFet- ridge, a Southern California graphic designer who has worked for ESPN X Games, Nike and the young directors Sofia Coppola and Spike Jonze.

Its theme, "Oneify," is intended to bounce off the brand name as well as address seemingly contradictory trends in the youth market signaled by the word "one." Twenty-somethings often say they want to be perceived as individuals but also identify collectively with their peers.

"Kids are so smart, they'll call you out on overt marketing in a minute," said Lee Clow, chairman and chief creative officer at TBWA Worldwide, owned by the Omnicom Group. "So telling them a 'one-calorie, great taste' story is so ho-hum to them."

"If you engage them in unorthodox ways, with a bit of grace, charm, whimsy, fun and discovery," he added, "you can actually ask them to buy something."

TBWA Worldwide has been developing ideas for other clients that are also intended to go beyond the television commercial. For instance, there was a digital radio station that broadcast online, for the French Connection United Kingdom apparel brand, and an oversized billboard in Tokyo on which two-man soccer games were played, for the Adidas footwear brand.

The Pepsi One campaign is the first product work from TBWA/Chiat/Day for Pepsi-Cola; its previous campaigns have been for the iTunes promotions with Apple Computer as co-sponsor.

BBDO Worldwide in New York, also owned by Omnicom, creates campaigns for brands like Pepsi-Cola, Mountain Dew and Sierra Mist, and a third Omnicom agency, DDB Worldwide in New York, recently began creating campaigns for Diet Pepsi.

Saturday, March 12, 2005

Blogads: reader survey for blog advertising.

Blogads: reader survey for blog advertising.
I was happily surprised by last year's blog reader survey. This year's survey continues the trajectory of happy surprises.

Last year, we got 17,159 responses. This year, 30,079 blog readers responded.

Last year, 61% of responding blog readers were over 30 years old. This year, 75% are over 30 years old.

Last year, 40% had family incomes greater than $90,000. This year, 43% exceed that figure.

Year over year, some figures are remarkably stable. One reader in five is a blogger. As was the case last year, exactly 1.7% are CEOs. Almost the same number (44%) spend more than $500 for air tickets. 86% purchased music online, last year and this. Last year, 79% were men. This year, 75% are men.

The most interesting news comes in section 8. Aficionados of PR-speak will recognize these questions as benchmark tests to identify who is an opinion maker, a member of the ten percent of Americans who are believed to set the agenda and steer the opinions of the other 90%. To qualify as an official "influential," RoperASW, the leading firm consulting in the field, you have to answer 3 of those questions (excluding a petition) in the affirmative. Clearly the blogosphere is crawling with certified grade A opinion makers. (When we can get SurveyMonkey's filtering software to behave properly, we'll be able to tell you exactly how many.)

How much credence should you give this survey? The survey was designed as much to provoke as to prove. I'll paraphrase what I wrote last year: the survey's responses are a fragment of a sample of a subset. There are millions of bloggers. Last week I e-mailed roughly 100 of them -- some of the biggest bloggers, many of whom focus on politics and/or sell blogads -- suggesting they link to they survey. Some of the bloggers I wrote to (and some I didn't) linked to the survey; some of their readers clicked; some were offended by questions written mostly for Americans; some aspiring respondents were unable to complete Surveymonkey's sometimes buggy forms. So wield a salt shaker as you munch on this data.

But remember also that the blogosphere is all about biases and conversations and boot-strapping and not waiting for some authority-- a newspaper editor or university dean or foundation officer or venture capitalist or government agent -- to tell you something but figuring it out yourself, and, finally, about sharing fragments of imperfect data with peers to arrive at some useful collective knowledge.

As Trent Lott and Howell Raines learned, the blogosphere's numerous voices can capture and amplify ideas that are too complex or contrary for traditional organizations to see or speak. (This year, we can add Howard Dean, Dan Rather, George Bush, Eason Jordan and Jeff Gannon to the list of public figures rerouted by bloggers.)

Soon bloggers who directed readers to the survey will get their own breakouts to use or share. And more survey results -- breakouts by party affiliation and other metrics -- coming next week.

Wednesday, March 02, 2005

Yahoo bets on media in search for online advertising vs. rival Google

Yahoo bets on media in search for online advertising vs. rival Google
Yahoo bets on media in search for online advertising vs. rival Google
Wednesday, March 02, 2005

By Kevin J. Delaney, The Wall Street Journal

Search for "Knicks scores" on Yahoo's Web site and you'll get hit with special features about the basketball team put together by Yahoo: latest results, schedules, tickets for sale and catalogs of gear.

Search on Google, by contrast, and you'll be sent elsewhere: links to news stories, the Knicks' own site, and even a Yahoo sports page.

Ten years after it incorporated as a company, kicking off what became a multibillion-dollar business, Yahoo Inc. is pursuing a strategy that puts it at odds with its fiercest rival. These two divergent tacks highlight a debate about how best to capture a growing pool of online advertising.

Under the leadership of Terry Semel, a former movie executive, Yahoo is taking its cue from the entertainment industry. It believes its future largely lies in building the equivalent of online theme parks featuring fantasy sports leagues, music, sites for new TV shows such as "The Apprentice" and other branded content and services. Yahoo wants users to come often and stay a long time so it can put more and more ads on their screens.

Google Inc. devotes its energies primarily to thriving on the Web's vast sprawl rather than trying to occupy one corner of it. Half of Google's advertising revenue, for example, comes from simple text ads that appear on other people's Web sites. The other half comes mainly from ads that accompany Google's own search results.

"Google does search," the company declares on its Web site. "Google does not do horoscopes, financial advice or chat." Yahoo does all three. Indeed, Google produces virtually no content of its own, fearing that would tarnish the impartiality of its search service.

The two companies "have very different approaches to almost everything," says Shelby Bonnie, chairman and CEO of technology Web publisher CNET Networks Inc., which uses Google's ad service and provides some content to Yahoo. "Yahoo sees itself as a media company. Google views itself as a technology company."

Mr. Semel's bet on media is ambitious. Many other companies have rung up expensive failures trying to build businesses around online media and entertainment services. The ill-fated merger of America Online with Time Warner was supposed to create an online walled garden fed by the giant company's vast array of entertainment assets. Yahoo itself stumbled in this area a couple of years ago.

Moreover, the breadth of Yahoo's content puts it in conflict with a long and growing list of rivals beyond Google, from software giant Microsoft Corp. to cable titan Comcast Corp. Many companies want to offer media and entertainment services online as consumers increasingly use the Web through non-PC devices such as TV sets or cellphones.

Yahoo says conditions have changed since those earlier failures. About half of home Internet users in the U.S. are now connected by high-speed links that make it possible to watch video, play games and download music online. Yahoo says about 80 percent of the connections made to its service take place over high-speed, or broadband, lines. Yahoo also says tying content to specific services -- for example, allowing consumers to play Yahoo videogames over Yahoo's instant-messaging software -- encourages users to spend more time on the site.

"Sometimes the right thing has to find the right moment," says Yahoo Chief Operating Officer Dan Rosensweig.

At a November investors' conference, held by Morgan Stanley & Co., Chairman and CEO Mr. Semel noted that Yahoo has various ways of making money: search and display ads, fee-based services and online listings, such as help-wanted ads. "We sleep better at night knowing that we have three sources of revenue," he said. Mr. Semel, the former chairman and co-CEO of Time Warner Inc.'s Warner Bros., declined to be interviewed for this article.

One statistic highlights the divergence between the two rivals: Yahoo users spend an average of 4.8 hours a month on its site, eight times the 35 minutes logged by users on Google, according to consumer research firm comScore Networks Inc. Google executives say they wouldn't mind if users spent even less time on their site as long as they conducted more searches. Each search generates a new set of tailored ads. At Yahoo, users stick around to send instant messages, check stock prices or watch music videos. A Knicks fan may jump to Yahoo's sports site, where Yahoo sells ads, and then pay to join a Yahoo fantasy-sports league, where it costs as much as $124.95 to run your own league.

Google's strategy, so far, is by some measures more profitable. Last year, Google's revenue was $3.2 billion, which came almost entirely from advertising, compared with Yahoo's $3.6 billion, of which 84 percent was ad-based. On a comparison of net income as a percentage of revenue, Yahoo comes out ahead. But Google posted about $1.1 billion in operating income, compared with about $700 million for Yahoo, after factoring out a legal settlement between the companies and differences in how they account for stock options. Google also boasts a larger market capitalization: about $51 billion compared with Yahoo's $44 billion.

The roots of Yahoo's media strategy date to the mid-1990s when it cut deals with the likes of Reuters Group PLC and Walt Disney Co.'s ESPN to supplement its own listings. A few years later, Yahoo plunged into audio and video, most notably with its 1999 acquisition of Inc., which distributed radio stations over the Internet, for $5.7 billion in stock. In 2001, Yahoo moved into offices with advanced TV-production facilities, from which it distributed FinanceVision, a Web-based CNBC imitator.

By that time, however, the Internet bubble had burst and Yahoo was losing money. The company's board turned to Mr. Semel, who eliminated money-losing operations. He shut FinanceVision and ShoppingVision, a service that posted videos of celebrity shopping sprees.

Despite pioneering the concept, Yahoo had fallen behind in the Internet-search game as automated techniques honed by Google blew past the human editors Yahoo employed to create Web directories. By 2002, Google had the buzz, and a growing mountain of cash.

To get back in the game, Mr. Semel engineered the acquisitions of Inktomi Corp. and Overture Services Inc., two search companies that helped Yahoo refine its own search capabilities and enter the hot business of selling search-related ads.

One of Mr. Semel's early attempts to sell content was Yahoo Platinum, a fee-based audio and video service, which was launched in 2003. Featuring segments from ABC News, National Geographic and CBS Sports, it failed to attract customers and was mothballed before the year was out.

In February 2004, Yahoo unveiled a new search engine. It still isn't as popular as Google's, but some consumer surveys, including several by technology research firm Keynote Systems Inc., of San Mateo, Calif., suggest it often delivers equivalent results. For some tasks, such as finding a nearby coffee shop or dry cleaner, Yahoo's service sometimes earns higher marks.

With the new search engine in place, Yahoo executives turned to spiffing up their theme park. Last spring, as Google was making headlines with its plans for an initial public offering, Yahoo released new "instant messaging" software for trading rapid-fire messages online. Yahoo had fallen behind America Online and Microsoft's MSN in this area. The new version of Yahoo Messenger allowed users to play games against each other, conduct Web searches together, and listen to the same music.

Yahoo executives attribute half the increase in traffic on its music site to the tie-in with Yahoo Messenger. Yahoo Music, which plays music videos and songs online, says users listened to 42.3 million hours of music in December, almost three times as much as a year earlier.

Google released its own e-mail service last year and will likely expand such offerings to compete with Yahoo. But executives say they're more interested in perfecting individual products rather than services that tie together. Google lets employees spend 20 percent of their time on their own research projects. It provides support to the Mozilla Foundation, the nonprofit behind the popular alternative Web browser called Firefox. Google spent about one year refining software for searching e-mails and the contents of a user's hard drive. Yahoo skipped that development process and instead licensed software from X1 Technologies Inc., a small closely held Pasadena, Calif., firm.

Meanwhile, Yahoo executives have been plying their Hollywood connections. Mr. Semel spent 24 years at Warner Bros. helping take the movie studio into new areas such as broadcast television. Yahoo Senior Vice President Jim Moloshok headed Warner's online unit under Mr. Semel, including early experiments to bring TV to the Web.

Last summer, Yahoo edged out rivals to host an official Web site for "The Apprentice," a reality-TV show starring Donald Trump. During a meeting to negotiate the deal, Mr. Semel swapped stories about Hollywood friends with Mark Burnett, the show's creator and executive producer, recalls Conrad Riggs, Mr. Burnett's partner.

Yahoo says it sold all the ad placements available on the "Apprentice" site before it went live in September. Mr. Riggs says Messrs. Semel and Moloshok's Hollywood experience was central to the deal. He calls Yahoo "a bona fide entertainment company."

The site provided directions to where viewers could buy ice-cream flavors developed by the show's contestants. Yahoo, which shares online ad revenue with Mr. Burnett's company, put other "Apprentice" features on its site, including audio clips of Mr. Trump's "You're fired!" catchphrase.

"This is a holistic approach to entertainment," says Yahoo's Mr. Moloshok. "Google just doesn't have the tools."

Google executives say they remain focused on improving their search functions. In order to make the content of printed books searchable, Google last year undertook an ambitious project to digitally scan millions of volumes held by libraries. But while the company stores the texts on its computers, it doesn't make money from selling the books. Instead, it sends interested consumers directly to online stores. Google doesn't view that as a disadvantage because it expects to generate the same advertising revenue.

Without providing specifics, Mr. Semel has said Yahoo wants to develop more of its own content or pay others to do so. Speaking to investors in January at a Smith Barney Citigroup conference, he drew a parallel to cable-TV channels, which moved from running repeats to showing exclusive shows to producing their own. Mr. Semel has been quick to quash any notion that Yahoo is planning a foray into feature-length films.

People familiar with the matter say Yahoo plans to further expand its music efforts in competition with Apple Computer Corp.'s iTunes service. It plans to release new music-playing software and a digital-music store, these people say. In January, Yahoo began publishing and distributing stock-trading data, in competition with Reuters, its previous supplier. A revamped Yahoo News site is due in the next few months.

Meanwhile, Yahoo is striking agreements with telecom giants designed to further entrench the Internet company at the center of the media landscape. Yahoo provides customized home pages and other services to high-speed-access customers of SBC Communications Inc. and recently expanded that pact to include SBC's planned TV offering.

Some of Yahoo's recent content efforts are paying off. After moving to better link news pages to the rest of Yahoo, Yahoo News attracted more unique visitors than during several months last year, according to Nielsen/NetRatings Inc.

In November, Mr. Semel reached out to Hollywood again, hiring Lloyd Braun, former chairman of Disney's ABC, to head Yahoo's media and entertainment businesses. Mr. Braun, an advocate of the hit series "Lost," hasn't yet shown his hand. "One of the great challenges and opportunities for Yahoo right now," Mr. Braun says, "is to take a leadership role in defining what Internet content will be and how it will be presented to the consumer."